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by 蕭文沛, 2015-12-22 15:44, Views(411)

1. Ending
    a. 左 Cmaj7 右 2 5 1 4 、左 F#maj7/5 右 b6 b2 b5 7
        Cm6 => 分散 1 5 b3 6 5 (1) 6 (b3) or 1 3 5 6 (2) 7 (1) (3) (5) (6) {2} (7)
    b. D half-diminish - G7b9 - Cmaj7/bD
        分散 2 b6 1 4 - 左 2 4 5 右 7 3 b6 - 左 b2 右 1 3 5 (1)
        結尾 I/IIb = C/Db
    c. Cmaj7 #4 = 左 1 5 右 3 #4 7 (3)
        II/I = D/C 左 1 5 右 3 #1 2 #4 7 (3) (#1) (2) (#4) (7)
        Cmaj7 =1 5 (3) (7)
     d. 7 1 2 3 #4 全押
     e. Cm maj7 = b3 6 (2) (5) (7)
     f. 左 1 b3 4 5 右 5 b7 2 3
        左 4 7 #2 右 (#45) (G7 altered = 4 7 #2 5 1)
     g. Cm13 => 左 1 5 b3 右 2 b3 b7 5 (2) b7 (4) (2) (6) (4) {2}
     h. 1 b3 5 6 ... (2)
2. Dm7 - Dbm7 - Cm7 - Dbm7 - Dbmaj7
3. Eb7 #5 = b3 5 7 #1
    Eb whole tone scale b3 4 5 6 7 #1
4. Cm6 - F(drone) - C(drone)
    p.s drone = root + 5
5. Voicing: Ebmaj7 - Emaj7 - Dbmaj7 - Cm7
6. Dorian mode Cm - F
7. Cmaj7 - F#maj7/C# - Dm